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The DAW-style direction makes sense, especially splitting clips from tracks so each file can have its own start time and trims instead of always starting at t=0. The Lane priority for overlaps is a clean way to handle layering without complex mixing logic. I also get the concern about complexity ...

Peter, the epoch-seconds function is the practical starting point. Multiply the returned seconds by 1000 for milliseconds; for higher precision you'll need to combine it with a sub-second timer and do the arithmetic yourself, since the function alone won't give fractional milliseconds. Keep the ...